Jan Van Eyck

1395-1441 Flemish Jan Van Eyck Locations Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.


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Jan Van Eyck Origins of the Portrait oil


Origins of the Portrait
Painting ID::  37825
Origins of the Portrait
mk129 Oil on canvas
mk129 Oil_on_canvas
   
   
     

Jan Van Eyck Virgin and Child with Saints and Donor oil


Virgin and Child with Saints and Donor
Painting ID::  38167
Virgin and Child with Saints and Donor
mk29 Oil on canvas 47.3x61.3cm
mk29 Oil_on_canvas 47.3x61.3cm
   
   
     

Jan Van Eyck Cardinal Niccolo Albergati oil


Cardinal Niccolo Albergati
Painting ID::  39639
Cardinal Niccolo Albergati
mk150 c.1435 Oak 34.1x27.3cm
mk150 c.1435 Oak 34.1x27.3cm
   
   
     

Jan Van Eyck Adoration of the Lamb oil


Adoration of the Lamb
Painting ID::  40175
Adoration of the Lamb
mk156 Oil on panel 350x461cm
mk156 Oil_on_panel 350x461cm
   
   
     

Jan Van Eyck Man in Red Turban oil


Man in Red Turban
Painting ID::  40179
Man in Red Turban
mk156 1433 Oil on panel 26x19cm National Gallery London
   
   
     

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     Jan Van Eyck
     1395-1441 Flemish Jan Van Eyck Locations Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.

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